Everything looks fine when I play it back (by pressing space bar) in the main comp. First of all, if you have autosave turned on, then yes, there is an autosave feature in AE. [2] I think this one has been resolved in newer versions of AE, but in older versions it was very common to have to switch between the “Standard” and “Advanced” renderers in the composition settings window when working with 3D layers in order to prevent 3D layers from doing weird things as they interacted with each other (like completely disappearing for one frame). 1) I do in fact, have 3D layers, but I’ve tried turning off their visibility and the stripes still don’t appear. It is a fundamentally simple feature with many uses. You should also be using the Classic 3D rendering engine. But I do appreciate you taking the time to respond. In this example, he used a mask to disappear behind a lamp. 2) I have it set to Advanced Render… just for luck I tried switching to standard, but it told me I shouldn’t so I switched it back. • One letter of the logo, imported from AI (which is a 3D layer and also has another shape layer as an alpha matte). How do I change it so all of my It’s as if I’ve set keyframes on the opacity to take out the image – as if it were 100% one keyframe, and then 0% the next. For those new to After Effects or anyone who hasn’t dug too deep, expressions are bits of code that you can plug into various After Effects layers that, in turn, tell the program to do certain things without you having to hand animate them. Step 2: Hit the Q button to bring up the rectangle shape tool. Thanks in advance for any help.-Maryanne I hope someone can help me figure out why the layer disappears. ……..looking back at it I would say thats the reason I had similar problems a while ago — if I reset everything it reappeared …. Now, I would like to make some minor changes to the actual logo animation so I enter the precomp and it looks like all but two of my layers have disappeared in the comp window. Click on the link below to watch the tutorial. Has anyone heard of something like this? Step 1: Select the layer you’d like to mask. ALL RIGHTS RESERVED, Archiware releases Version 6.0 of the P5 Software Suite, Waves and Ocean Way Collaborate on the New Waves Nx Ocean Way Nashville Plugin, Mo-Sys introduces the one-stop 4K virtual studio, Location Manager Spotlight courtesy of Universal Studios Florida’s Production Group, Autodesk Opens Nominations for 2021 Flame Award, Telestream Unveils Latest Version of Wirecast, Launch of New WZVN Set Includes Brightline LED Lighting Upgrade, Hiltron Communications Expands Product Portfolio with Formation of ESA Microwave GmbH, CARTONI UV-C BOXER is First COVID-19 Disinfectant Device Designed for Film Industry, Grupo Record’s TV Capital Makes Headlines with Dalet, TV5 Philippines’ Bella Bandida Action Series Shot Using Blackmagic Pocket Cinema Camera 4K, MOG Ensures Streamlining in Live Remote Acquisition of the Premier League for the Icelandic Audience, Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions, CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports, Broadcast Solutions sees fast growth in Nordic countries, adding Kim Gaardvik as Sales Manager Norway, Austrian Audio Expands Availability Across North America, Eventide Receives NAMM’s Milestone Award for 50 Years of Innovation, Undercurrent Labs Uses Blackmagic Design Workflow for New 8K Live Streaming Robotics Lab, The Audio Engineering Society Welcomes Jonathan Wyner as President, Maxon Announces the Acquisition of Japanese Distributor Business, Jonathan Winbush: a journey in motion graphics, Densitron adds two new products to acclaimed UReady TM control surface range, Small Giant Produces Big Results for Top TV Clients by Optimizing Pandemic Production Techniques, Soul Cinematography (with Matt Aspbury) GCS255, DHD Audio RX2/XC2 Audio Mixing System Goes On Air at NRJ Norway, KORG Believes in Music and Excites with Future Innovations, MultiDyne Chief Operating Officer Bob McAlpine Retires, On-Hertz Unleashes Nubo, a Cloud-Based Radio Production Studio, SMPTE Hollywood Section to Host Virtual Panel Exploring MOVIELABS 2030, Cinematographer Declan Quinn Brings Decades of Cooke Lens Experience to A Suitable Boy with S4/i Primes, Solid State Logic’s ‘MEET THE PRODUCER’ Live Q&A Featuring Marc Daniel Nelson on January 21st at 6pm GMT, Goldcrest Post Adds Veteran Colorist Alex Berman, yellaUmbrella Integrates OOONA Convert into its Stellar and Nebula Solutions, Source Elements Connects With Presentations at NAMM’s Believe In Music Week, Fujifilm Announces January 28 Release Date for FUJINON Premista 19-45mm T2.9 Lens, Hollywood’s Legendary Michelson Cinema Research Library Finds a New Home at the Internet Archive, Lifetime Achievement Nominations Announced for the 2021 MUAHS, AJA Releases Two New 12G-SDI openGear Solutions, N1 TV Balkans Broadcast Network Transitions to PlayBox Neo, Ensure Performance in Premiere Pro With A Few Quick Settings, Cinematographer Simona Susnea brings “Unseen Kingdoms” to light, Tones and I Fly Away Music Video Completes Post Production with DaVinci Resolve Studio, How do I add gradient to multiple letters, Automating repetitive tasks (Goin’ crazy out there at the lake), Option to import from DVD player disappeared after upgrade, Script to find if mask's vertices are out of comp – Help Needed, simple if then statement based on character length. If you haven’t yet taken Intro To After Effects Part 1, you’ll want to make sure and start with that first class as we’ll be building on the lessons from part 1 in part 2. Two of my vectors resized after doing that (not sure why). As you can see precomposing layers in After Effects is a pretty simple process. – that could cause something underneath it to disappear, even if it didn’t look like it was covering something up? Even if everything is COMPLETELY still, some layers like to flick in and out of others...making them disappear for a few seconds. Download and install any missing fonts. Failing that, can you maybe post a couple screenshots of your entire UI so we can see what you are seeing? Edit this file. Click the missing items to relink. Just for grins, I’d try refreshing AE’s interpretation of that 12 file by replacing it with with the same file. 3) I was hoping Open GL might be a fix but when I turned it off, nothing changed. Can anyone give me any suggestions? You can always go back to the old one that way. Also, here’s a shot captured while the precomp is mid playback. We can also create full animation using audio and video clips by … There is an update to Ae CC 2015 that addresses a lot of preview bugs: https://blogs.adobe.com/aftereffects/2015/07/after-effects-cc-2015-13-5-1-bug-fix-update-fixes-previews.html, Walter Soyka Designer & Mad Scientist at Keen Live [link] Motion Graphics, Widescreen Events, Presentation Design, and Consulting @keenlive [twitter]   |   RenderBreak [blog]   |   Profile [LinkedIn]. Thank you both for your help, and I’m sorry if I wasted your time since this problem isn’t what I thought it was at all. Visit the Layer Groups page for more information on its use. The point where the layer “disappears” is the first frame of the next layer above the stripes… a psd file, that is cropped to the size of the layer, and that does not overlap the stripes at all (the stripes are higher up the y axis position). Nope. This will hide everything else in the frame that isn’t beneath the mask. We can also create full animation using audio and video clips by controlling frames speed and the time at which the audio and video clips should be synchronized to produce the desired clips. Here’s a breakdown of what IS visible and what ISN’T in case that help someone diagnose the problem…. Mask out the lamp and the right side of the frame in the frozen layer, and now, when your subject moves past that mask, they will disappear. I know I could apply each blending option permanently in Photoshop, but is there another way to just make it show up in After Effects… Mac OSX Version 10.10.4 27-inch iMac (Late 2013) 3.5 GHz Intel Core i7 Processor 16 GB 1600 MHz DDR3 Memory NVIDIA GeForce GTX 780M 4096 MB Graphics, Adobe After Effects CC 2015 Version 13.5.0.347. (You will notice that the colour blocks also disappear - this also has a fill applied) What's strange is that if I remove the fill from one element, it fixes EVERYTHING, even the other layers with effects … Click on Missing Footage, Missing Fonts, or Missing Effects. Above it has been explained how we can group layers in Adobe After Effects software. If the AI layer did not go all the way to the end of the pre-comp, that would create the problem you describe. 3. 1. I have created a logo animation in AE, then precomposed all of the elements of the logo animation so as to keep them separate from the elements of the background animation. Layer Groups is offered through aescripts + aeplugins for $44.99. After Effects Expression (if layer is a CompItem) 1. Advanced Shape Layer Techniques in After Effects How to properly us shape groups in After Effects Alpha mattes and precomps can be useful tools for increasing the complexity of an animation or … Adobe After Effects is a powerful application that can create Hollywood-style effects and super clean motion graphics titles and animations. I’ve tried reordering the layers, bringing in a second stripe layer, double-checked that there are no keyframes anywhere in the comp at the point that the stripes disappear, totally deleting ALL layers above the stripes… I’m at a loss. Thanks! I know I could apply each blending option permanently in Photoshop, but is there another way to just make it show up in After Effects? Above it has been explained how we can group layers in Adobe After Effects software. I did this successfully before, and showed the prelim to the client, and he wanted some changes. 1.) Further to the problem, then, I’ll toss out a couple other ideas that could, perhaps, create the issue you describe… 1. perhaps you’ve pre-comped the AI layer at some point and you’re actually looking at the pre-comp in your master comp? The thing that made it all work was to click on every layer to render continuously. NOT VISIBLE: • The remaining frames of the precomp mentioned above. ………. Find a spot in which the video has no people in it 3.) I had one layer that would appear and disappear while my camera was tracking. Perhaps there’s an effect that’s not happy with the number of layers, or if you’ve got the Continuously Rasterize/Collapse Transformations switch turned on for your AI layer, or something like that. After Effects :: 3D Layer Disappears In CS6 Aug 17, 2013. I was “building” the caution tape across the screen – one stripe, then a few frames later the next, and so on, up to 12 stripes, each stripe being a separate ai file. [3] An OpenGL error wherein the layer wasn’t really disappearing at all … OpenGL just didn’t feel like showing that one frame. Step 3: Apply Effects to Adjustment Layer Your flat artwork will become alive in space, giving it depth and energy. Conclusion – Group Layers in After Effects. - Cavett Robert To create one, context-click in an empty area of the Timeline, and choose New > Adjustment Layer (Ctrl+Alt+Y / Command+Option+Y) (Figure 4.10). I have a layer of “caution tape stripes” that once it appears, it should stay on the screen for the remainder of the comp. Advanced Shape Layer Techniques in After Effects How to properly us shape groups in After Effects Alpha mattes and precomps can be useful tools for increasing the complexity of an animation or combining several visual elements in a complicated design, but they make your timeline messy and introduce frustrating glitches and comp failures when infinitely rasterizing precomps or making layers … This is certainly strange. The Layer Groups script for After Effects also handles Group Mattes, Isolate layers and Baking of Groups into pre-comps. The peer to peer support community for media production professionals. A layer might even disappear entirely behind another one. I ran a hardware scan & it found nothing. If i turn draft 3D on it will reappear, or if I preComp it will reappear. Take your animation skills to the next level by learning all about 3D layers, cameras, and lights in Adobe After Effects. There are no FX in the precomp. For each number, the random generator produces different results. Anything in the world that has geodata can be integrated as an editable asset in After Effects. If you don’t have it on, go turn it on now. The After Effects 3D View Popout menu is located at the bottom of the Composition panel and allows you to view your comp from a variety of angles. Visit the Layer … An adjustment layer is itself invisible, but its effects are applied to all layers below it. Archiware P5 Archive Supports LTFS 1/26/2021! So if you're new to after effects you'll get lost this one way probably loads to get started … With this option you get a different random values for each layer, if you apply the iExpression to several layers simultaneously This will reveal all modified properties of the layers. I’m still not sure why the 12 file doesn’t have the stripes (when I look at that layer is it just black), because when I open it in AI it does, but I think I can figure it out from here, and it will be easier then delving into my 3D layers when that obviously wasn’t the problem. I’ll keep thinking on this, and let you know if I come up with anything else. Don’t worry… this is supposed to happen. No idea how this turned out, but for anyone stumbling upon this in the future: one thing that was not mentioned in this thread was layer styles. The 'Template' checkbox gets activated in Layer Options dialog box, and the box gets closed, then, the Layer name and several icons at the bottom of the Layer Panel disappear.The Layer is still there without a name, and rolling over the icons on the Layers Panel I can see the Tool Icons.Illustrator Prefs were trashed/restored using the Opt-Shift-Command restart shortcut. Just to be clear, all of these are supposed to be visible and they are when I play the sequence back, but not in the comp window while working. To get a better view of your work area, simply change the view layout. That’s one every AE user has been shamed over after frantically investigating what must be a much more complicated issue so we’ll understand if that’s it and you don’t own up. Problem solved. If your layers keep disappearing, a … I’ve rendered out my project, shut down AE, restarted my computer, and it does the same thing. very good forum this — learn loads ……….. ======================================================, We use anonymous cookies to give you the best experience we can.Our Privacy policy | GDPR Policy, © 2021 - By CREATIVE COW LLC. Scrub the Y position for the Resolve Precomp layer until the bottom of the sign disappears off the bottom of the Composition panel. Create a camera or use the default Active Camera view and you should be able to see everything you expect. 2. Scrub the X Rotation to see how the layer rotates in 3D space. Intro To After Effects Part 2 is the second of a four part series to introduce Adobe After Effects to aspiring animators and motion designers with little or no experience with the software. And it can definitely be used to great effect when working in complex compositions. Login or Sign Up, Forums › Adobe After Effects › layer disappears. In fact, there are NO KEYFRAMES on the layer whatsoever. Try turning off all the FX for that layer…? I’ve tried restarting (both AE and my machine) and I’m pretty sure it must be a setting or something somewhere. I’m betting that in this instance the psd layer had some sort of layer styles applied to it, likely imported with the layer from Photoshop. Duik Bassel reverse IK without changing the artwork. Active ‘if statement’ over a number of frames, Option to import from DVD player disappeared after upgrade, Automating repetitive tasks (Cross post from After Effects), Automating repetitive tasks (Goin’ crazy out there at the lake), Check field order before broadcast delivery. Adobe After Effects script for importing PNG files as layers. Next, my precomp. In Adobe After Affects CS.5, after rendering a video, all my effects disappear in the final product except for the main video! I'm trying to change my blending mode on After Effects CC 2015, but I have no options on certain layers. I’m working solely with vectors drawn and imported from Illustrator. I have a few text and shape layers that were above a precomp, and everything was normal until they suddenly disappeared. Now that I’m making the changes (add a gradient to the specific layer I’m working with — I did this in AI and reloaded the footage) now it’s being quirky. Reply to this Discussion! This is another shot in the dark, but it wouldn’t be unheard of if AE didn’t recognize a file anymore if you happened to change it … especially if while the project was open in AE. Plus, I'm the creator of some of the world's most popular After Effects courses - with over 400,000 students and thousands of 5-star reviews like these: Phil Ebiner's "The Complete Guide to After Effects," is a wonderful and comprehensive course to dive into this Program, and get started with creating our own animations. Video Tutorial on Adobe Support. Next, position your adjustment layer under your ‘Fog’ layer and set the track matte to ‘Luma Matte.’ Your ‘Fog’ layer will disappear. Proper white balance on music videos with multiple cams? Good suggestion though! 3. Does your AI file have the 3D switch turned on? If you didn’t remember to switch them off before the final render, they could ruin the result, requiring a re-render. GEOlayers … ——– have had similar before when camera angle/positioning values/settings place the pre-comp layer out of sight in some way — — ie its visible from the main comp where the final result is calculated but not from inside the pre-comp because of the settings that apply there —, If this is the case it explains why it plays ok but is hard to adjust inside the precomp — in my case I suspect there was a better way of managing the project but I couldnt work it out so scrapped the file and started again, To test this theory you can reset the camera and all other values affecting the layer ( inside the pre-comp ) to see if it reappears and if it does then this is probably it …. Change for each Layer. Gah! I am working on a comp that has lots of layers… 51 to be exact. When I click on any of them in the timeline, I can see their bounding boxes, but that’s it. Unless there’s some sort of magic Autosave like in FCP that I am not aware of? Right click on the time line and select "Time" --> "Freeze Frame" After a new finder window opens up, browse to the directory "Contents/Resources/" 4. Drag the clip into Adobe After Effects Timeline 2.) Looking for more After Effects tips and tricks? But remember that when working with these complex compositions you’ll find that it's usually beneficial to add … Also, before you try anything I might suggest, duplicate your comp and make the changes in the duplicated one. No, AE is not pranking you. So I don’t believe that is the case. Besides probably upgrading AE? Only 2 of my layers have options to change the blending mode. The peer to peer support community for media production professionals. If so, the layer order in the timeline won’t matter to AE – just the 3D position. [I’m still not sure why the 12 file doesn’t have the stripes]. Start turning effects off and resetting values until layers … Layer Groups is offered through aescripts + aeplugins for $44.99. The effect is that layers further down in the stack seem to disappear as layers that may be further back in Z-space are being brought to the front as if they were a nested pre-comp laid on top. ALL RIGHTS RESERVED, Archiware releases Version 6.0 of the P5 Software Suite, Waves and Ocean Way Collaborate on the New Waves Nx Ocean Way Nashville Plugin, Mo-Sys introduces the one-stop 4K virtual studio, Location Manager Spotlight courtesy of Universal Studios Florida’s Production Group, Autodesk Opens Nominations for 2021 Flame Award, Telestream Unveils Latest Version of Wirecast, Launch of New WZVN Set Includes Brightline LED Lighting Upgrade, Hiltron Communications Expands Product Portfolio with Formation of ESA Microwave GmbH, CARTONI UV-C BOXER is First COVID-19 Disinfectant Device Designed for Film Industry, Grupo Record’s TV Capital Makes Headlines with Dalet, TV5 Philippines’ Bella Bandida Action Series Shot Using Blackmagic Pocket Cinema Camera 4K, MOG Ensures Streamlining in Live Remote Acquisition of the Premier League for the Icelandic Audience, Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions, CJP Broadcast Launches StreamSmart+, Club-Owned Online TV Service for Sports, Broadcast Solutions sees fast growth in Nordic countries, adding Kim Gaardvik as Sales Manager Norway, Austrian Audio Expands Availability Across North America, Eventide Receives NAMM’s Milestone Award for 50 Years of Innovation, Undercurrent Labs Uses Blackmagic Design Workflow for New 8K Live Streaming Robotics Lab, The Audio Engineering Society Welcomes Jonathan Wyner as President, Maxon Announces the Acquisition of Japanese Distributor Business, Jonathan Winbush: a journey in motion graphics, Densitron adds two new products to acclaimed UReady TM control surface range, Small Giant Produces Big Results for Top TV Clients by Optimizing Pandemic Production Techniques, Soul Cinematography (with Matt Aspbury) GCS255, DHD Audio RX2/XC2 Audio Mixing System Goes On Air at NRJ Norway, KORG Believes in Music and Excites with Future Innovations, MultiDyne Chief Operating Officer Bob McAlpine Retires, On-Hertz Unleashes Nubo, a Cloud-Based Radio Production Studio, SMPTE Hollywood Section to Host Virtual Panel Exploring MOVIELABS 2030, Cinematographer Declan Quinn Brings Decades of Cooke Lens Experience to A Suitable Boy with S4/i Primes, Solid State Logic’s ‘MEET THE PRODUCER’ Live Q&A Featuring Marc Daniel Nelson on January 21st at 6pm GMT, Goldcrest Post Adds Veteran Colorist Alex Berman, yellaUmbrella Integrates OOONA Convert into its Stellar and Nebula Solutions, Source Elements Connects With Presentations at NAMM’s Believe In Music Week, Fujifilm Announces January 28 Release Date for FUJINON Premista 19-45mm T2.9 Lens, Hollywood’s Legendary Michelson Cinema Research Library Finds a New Home at the Internet Archive, Lifetime Achievement Nominations Announced for the 2021 MUAHS, AJA Releases Two New 12G-SDI openGear Solutions, N1 TV Balkans Broadcast Network Transitions to PlayBox Neo, Ensure Performance in Premiere Pro With A Few Quick Settings, Cinematographer Simona Susnea brings “Unseen Kingdoms” to light, Tones and I Fly Away Music Video Completes Post Production with DaVinci Resolve Studio, LTO cartridge taking long time to erase new/old media.